When I reimport the same AAF back into Premiere, everything works perfectly. Arrrrghhhh! Anyway, back to AAF/XML nightmares… ) Then I went and deleted all my media cache files and still PP kept making new proxies during consolidation.
I went through and deleted ALL my proxies but it still made new ones during the consolidate. I had create a brand new project and import the sequence just to get Premiere to consolidate ONLY the media related to the sequence because "exclude media"’s checkbox had no affect on PP’s desire to make a copy of every, single, teeny, tiny file related to the project. (* note that I have had a lot of problems getting Premiere to play nice with consolidating. I’m leaning the “blame" it on the Sony F5 footageīut I’ve done this process before with other footage that was shot the same wayĪnd with similar complexities with absolutely no problems. No difference…although when I deleted ALL the proxies the consolidation* just created new proxies(!) Then I thought it might be the proxies messing things up (because when I consolidate it insists on consolidating the proxies). but a lot of the clips have no speed change and are not sub-clips and yet they are messed up. (I know, I have a lot of nerve assuming an AAF or XML in 2020 can handle the math of a speed change!!!)
Some seem to be related to speed changes I did in the timeline Some seem to be related to wether I edited the original timeline from a subclip vs the original clip. I cannot find a correlation between when they work and when they don’t
export EDL (blech!) and flattened video file (double blech!!) and the timeline would not see the original clip and it appears was useless anyway as the empty red-clips in Resolve had no relation to the cut points in the flattened video. import XMF into Resolve and link original media - most clips’ in & out points are bad/useless (exactly the same) import XMF into Resolve and link consolidated media* - most clips’ in & out points are bad/useless (exactly the same) import AAF into Resolve and link consolidated media* - most clips’ in & out points are bad/useless stripped timeline of all effects (except speed changes) imported sequence from original (full)project I’ve tried everything I can think of or read about.Įxport consolidated* sequence of footage to DaVinci Resolve for colour correctįootage is from four different cameras (Sony F5, Panasonic GH5, GoPro4, DJI MavicPro2) all with different resolutions and frame rates.
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